Bio

Maria Silk (previously Silk Worm) is an artist working in choreography, performance, and video. Her artistic work operates on two tracks: the relationship of embodiment, sensation, and movement to language; and the task of unearthing the submerged histories of violence animating queer and trans life in the US. Born in Atlanta, Georgia, Silk has been based in the San Francisco Bay Area since 2012. Her research-based, interdisciplinary practice emerges from years of immersion in Bay Area queer nightlife. The Bay Area’s unique legacy of drag performance and its over-the-top aesthetic remains central to her work.

Silk has shown her work at CounterPulse, Berkeley Art Museum, the Cantor Center for the Arts, / (Slash), 2727 California Street, Fierce! Festival, h0L0, and the Pittsburgh Performance Art Festival. Silk was a 2017 danceWEB Scholar at ImPulsTanz, and she holds a BA and MA from Stanford University. With Brittany Newell she co-directs HUSH-HUSH, an event series programming experimental work by local queer and trans artists.

Silk’s work is a fiscally sponsored project of Jess Curtis / Gravity.

Silk is known as a very good sport.

contact: miss.silk.worm [at] gmail [dot] com

photo by Robbie Sweeny

CV

PUBLICATIONS

“The Eyes of Others,” Open Space from SFMOMA, September 2021

“Lifetime Achievement,” untitled volume from Slash Art, June 2021

SELECTED EXHIBITIONS AND PERFORMANCES

Lessons in Anatomy (work-in-progress excerpt), CounterPulse (SF), performance, November 2022

The jaws of all are red with gore, CounterPulse (SF), performance, August 2022

Don’t Ask Me, /room/ at Slash Art (SF), solo show of video work, May – August 2022

The Last Waltz, Delaplane (SF), group show, March 2022

Lifetime Achievement, The Stud (SF), screening, June 2021

GEN, Beauty Supply Arts (Oakland), performance, November 2019

knowing me, Clump TV (Berlin), performance, October 2019

crummy sheets, Berkeley Art Museum, performance, October 2019

Bottom Bride, Fierce! Festival (Birmingham, UK), performance, October 2019 

Bottom Bride, Pittsburgh Performance Art Festival, performance, August 2019

Bottom Bride, 2727 California Street (Berkeley), performance, July 2019

knowing me, HIT Gallery (SF), performance, April 2019

Bottom Bride, h0L0 (New York City), performance, November 2018

Bottom Bride, National Queer Arts Festival (SF), performance, June 2018

Bad Acting, Cantor Center for the Arts (Stanford), performance, May 2017

PRESENTATIONS, LECTURES, AND WORKSHOPS

“Dancing in Tongues,” dance workshop, KH Fresh Festival, March 2023

Don’t Ask Me: A Screening and Conversation between Silk Worm and hannah baer,” / (Slash), June 2022

“If You Shout ‘Brick!’,” performance lecture, Place Talks at the Prelinger Library, November 2019

“Bad Acting 101: A Workshop,” creative workshop, California College for the Arts, November 2017, 2018, and 2019

AS A PERFORMER IN OTHERS’ WORK

Bacchae Before by Hope Mohr and Maxe Crandall, Joe Goode Annex, September 2021

Colossus by Cornelius, CounterPulse, April 2021

Drag House by Cornelius, CounterPulse, May and June 2019

I’m Very Into You by Sara Lyons, Wattis Institute for Contemporary Arts, November 2018

Out of Place, In Place by Futurefarmers, Yerba Buena Center for the Arts, March 2018

GRANTS, HONORS, AWARDS, AND FELLOWSHIPS

Dresher Ensemble Artist Residency, Paul Dresher Ensemble, July 2022

San Francisco Artist Grant, San Francisco Arts Commission, June 2022

CA$H Dance Grant, Dancers’ Group, June 2022

CA$H Creates Grant, Theatre Bay Area, June 2022

Artist Power Convenings Grant, Yerba Buena Center for the Arts, December 2021

Individual Artist Commission Grant, San Francisco Arts Commission, June 2020

GENERATE Programme, British Council and Arts Council England, October 2019

Alternative Exposure Grant, Southern Exposure, December 2019

danceWEB Scholarship, ImpulsTanz International Dance Festival, July 2017

Cantor Scholarship, Cantor Center for the Arts, January – June 2017

SELECTED CURATORIAL EXPERIENCE

HUSH-HUSH, Co-Founder and Co-Curator, various venues, February 2017 to present

High Fantasy Memory Index (archival exhibition), Co-Curator, Tenderloin Museum, 2020

This, That, and the Third (group show), Curator, HIT Gallery, 2019

Sweet Nothings (artist talk series), Curator, 2019

EDUCATION

MA, Stanford University, Art History, 2017

BA, Stanford University, Theater and Performance Studies, 2017